Showing posts with label live music. Show all posts
Showing posts with label live music. Show all posts

Friday, 13 May 2016

Germany tour part two; Cologne-Jena

Following the day off in Cologne we needed to get to the train station for an early train to Jena. Jena is a university city almost in the middle of Germany. During the gig in Cologne it became clear that I'd have to work on my pronunciation of Jena as after my performance a couple of audience members were telling me how much I would enjoy Vienna.

The first leg of the journey was a two hour trip to Mainz. The train arrived and on we got, I charged purposefully along the carriage, chose a pair of seats and deposited my suitcase in the overhead rack. At this point Connie noticed and pointed out to me that the seats we reserved, as it seemed all the surrounding ones were. Before we could move the aisle was full of travellers, all examining the reservation notices. Now it would appear that the standard etiquette on German trains when encountering this situation is to be neither rude enough to cause others to move, nor step aside and give way, but instead to remain standing where you are and look at each other. So we were stuck standing next to some seats that we had not reserved, me with a guitar on my back and large suitcase in the luggage rack above me and Connie with her rucksack on her back. The train was moving, we were on our way to our next destination and not exactly in discomfort so we waited in a bemused but happy way to see what happened next. After a while we perched ourselves on the seats. What happened next is that a group of what I can only describe as horrid football wankers, crates of beer in hand, came crushing along the carriage pushing aside all in their way. Old ladies and business men were swept away until they reached their reserved seats. Which were, of course, the seats we were sitting in. The lead wanker shouts at Connie that she's in his seat, she explains that she will be happy to move once it's within the realms of possibility. He tells her "you can move if you want to!" and I lean around the person standing between me and him and suggest he might like to calm down. Another old lady was sent spinning away and this gentleman angrily made his frustrations known; it was clear he wouldn't be waiting for anyone to clear the way. Taking her chance Connie slipped past and then this guy sat in her (or to be more accurate, his) chair, making it even more difficult for me to get my suitcase down. I retrieved it, and made my way down the aisle. Happily the next carriage happened to be the dining car, and we asked if we could sit in there. Certainly we were told, as long as we buy a drink. The dining car was beautiful; quiet and uncrowded, the seats were comfortable and the lady serving us was lovely. We travelled along the Rhine with the river right alongside the train, passing through stunning valleys and attractive little towns and villages. The rainy weather that had been with us since our arrival in Europe had now abated and it was a truly glorious day.



At Mainz we had a five minute transfer which was something we had been nervous about, however it was simply a matter of stepping of the first train and walking across the platform to the next one which was sat there waiting. No reservations on the seats this time so we sat down and had a pleasant three hour journey. One more change at Erfurt at then the final leg to Jena Paradies. On this journey we had our one and only delay of the whole tour; the train sitting at a signal for ten minutes which made us late arriving in Jena. Axel, owner of Brandmarken and organiser of the gig there, was waiting at the station to drive us Radio OKJ for an interview he had organised. 

The interview with Katja went well; her English is very good and she asked some interesting questions. 



Axel dropped us off at a hostel he had arranged for the evening and explained how to find Brandmarken. After a rest and a shower we made our way to the venue and discovered that it was a fantastic bar/restaurant with a shoe shop attached. Axel, his wife Manuela and the rest of the team there were all brilliant and treated us very well. The venue was rammed for the gig and I struggled to finish playing; they kept asking for more! I had assumed the crowd would be regulars at Brandmarken but it turned out that the majority were making their first visit. After my performance I chatted to a lot of them and tried to find out what had attracted them to come to the gig, something that really interests me when I'm playing somewhere new, especially a country I've never visited before. However it turns out nearly everyone had been invited by a friend, husband or wife and I never got to meet any of the people who did the inviting. So I'll guess I'll never know! Another wonderful gig with more names on the mailing list, CDs sold and generous contributions to the hat. 




Only a flying visit as we were off to Dresden the next day, and in future it would be good to explore Jena a little more as it looked to be a very beautiful place. 


Sunday, 28 September 2014

Songwriter's Cafe 2014

Paul Murphy's Songwriter's Cafe has returned this year after a break in 2013. I went along on Thursday and if it is possible it's better than ever. The performance space has been renovated meaning there is more room for the audience. Walking down the garden towards the tree house you are flanked by glittering lights and delicately carved wooden walls. Crossing the bridge over the little stream feels like entering a special world of music, an idyll of talent and calm hidden in the back garden of this house in suburbia. Before the show everyone mills about just outside the tree house around the open fire. It was lovely to see some familiar faces and find out what they are up to. 

On the bill on Thursday were three acts I've heard a lot about but never seen before; The Cadbury Sisters, The Old Dance School and Andy Oliveri as well as two new discoveries Tom Daly and Cal Doonican. 

Host and legend Paul Murphy kicked the night off with a performance of a very lovely song and then introduced Tom. After some surprise that Tom didn't appear upside down through the roof wearing speedos (just me??) I enjoyed his soulful tunes and banter. Next up was Cal Doonican (namesakes are funny things aren't they?) who performed a set of funny and thoughtful social commentary songs that went down wonderfully with the crowd. 

Andy Oliveri was next with his beautiful guitar playing and lovely voice, gorgeous folky tunes settling gently on the room as the fire crackled away in the corner. The Old Dance School, all six of them, were next to cram onto the not huge performance space. Their set was made up of impressively arranged songs and they made being in a band look like lots of fun. 

The Cadbury Sisters closed the night with the sort of harmonies that are surely only possible for siblings to achieve. I'm a sucker for great harmonies but the Cadburys don't rest on their laurels they also have great songs and arrange those vocals in really interesting ways.They explained how much has changed since their first appearance at the tree house a few years ago and that it was quite emotional to be back. They have the feel of a band of the cusp of taking a huge step up (recent gigs include a set in Hyde Park for Radio 2) and it felt quite special to be sharing this little bit of the journey with them. 

Songwriter's Cafe continues every Thursday in October, you can listen in via Paul Murphy's website

Monday, 19 May 2014

Crossroads, Glee and King Alfred's Head

I played three brilliant and varied gigs last week. First up I returned to Crossroads Blues Club to play the featured set. Crossroads takes place at The Tower of Song in Cotteridge, Birmingham and is something of a home from home. When I first started gigging I was an avid attendee of the monthly jam night at the crossroads and did a lot of learning (and stealing) from the players there. I don't get to visit so often now and it's always a great occasion to get down there again.

The night began with an open mic session featuring many of my favourite crossroads regulars as well as some new faces. Musicians were playing in various combinations from solo to formed-on-the-spot bands and as usual the music was of a very high quality. 

I started my set solo acoustic playing originals and blues tinged covers. It felt really good to do some new songs for the first time, particularly as many of the regular audience members have seen me play a fair few times now. 

For the last half an hour or so I invited some friends up to join me and I finished the night with an electric set playing some loud rock and roll and blues. Noticing the time at 11.15 I said goodnight, but wasn't getting away that easy and was called back up to carry on! 

Friday's gig at the Glee Club in Birmingham city centre was a rather more intimate and reflective event. I was supporting Lotte Mullan in the studio space. The gig was very well attended and it was lovely that some of my cast mates from The Mother were able to come along. I played a 30 minute set of mostly original songs. The audience were very nice and gave me their full attention, joining in with a little bit of banter and singing along (quietly but the effort was appreciated) when requested. After a short break Lotte played a lovely set of songs. I really enjoy her writing style and the way she uses her voice, and watching her chatting to her fans after the gig shows how much time she has for the people supporting her music. After the gig some friends and I ended up in a bar which was playing very very loud salsa music. It was an exceptionally warm May evening and as we sat outside we could almost kid ourselves we were holidaying somewhere Mediterranean. 

On Saturday I travelled to Wantage near Oxford to open up for Canadian band Cherry Suede at a benefit event for CDH UK, a charity supporting families of babies with Congenital Diaphragmatic Hernia. I'm going to post more information about CDH UK soon but what was really shocking from talking to organiser Megan was how little known the condition is, especially as it affects 1 in 2500 babies.  

The gig it's self was taking place in the beer garden of King Alfred's Head (Wantage being the birthplace of King Alfred the Great in 849.) I played a 40 minute set and after a short break (during which I helped draw winning tickets for the raffle...exciting!) Randy and Randy of Cherry Suede performed a brilliant set that had everyone up dancing. The night was loads of fun and it was great to catch up with Cherry Suede and their tour manager Jude. I'm very pleased to have met Megan and found out about the amazing work of CDH UK. 

Monday, 7 April 2014

Dan Hartland, Alex Vann, The Gamophones and Zaria at Best Seat Sessions

Best Seat Sessions, the gig which my friend Jess (with a little bit of help from me) runs welcomes Dan Hartland supported by Alex Vann, The Glamophones and Zaria to Ort in Balsall Heath on the 25t of April.

Dan Hartland’s brand of rootsy country reinvigorates the lonesome troubadour shtick with a wry pop sensibility. From gentle acoustic picking to the robust influences of early rock ‘n’ roll, Dan’s observ
ational, confessional style offers a potent mix of intelligence and soul.

A dynamic and engaging stage presence, Dan is currently touring his brand new album, Young Man's Game, which features eleven literate slices of Americana-influenced songwriting.


“His well crafted songs offer a fine balance between heartache and joy.” Americana UK

“Cuts right through to the listener’s innermost soul.” Maverick Magazine


Alex Vann is a West Midlands Singer, songwriter and multi-instrumentalist. He has many years’ experience as a solo artist and also in bands. His music encompasses a wide range of genres and subjects but is mainly from his pop and folk influences, and most with a storytelling focus. Alex is currently recording the fourth instalment of his ‘Silhouettes and Pirouettes’ collection of original songs which has won wide acclaim and sales.



 

Bringing the best music from the most famous eras, The Glamophones will take you back to some of the most iconic songs from the 20s all the way through to todays chart hits. These 3 Birmingham Beauties, Carrie-Anne, Laura & Kate will impress you with their beautiful harmonies and exciting musical arrangements. This talented retro girl group guarantee to keep your feet tapping, fingers clicking and your hips moving with every beat.


 
Zaria picked up a guitar around age thirteen, and unlike most musicians, she could put it down if she wanted to. It took about a year before she consistently began playing. However, her writing career started when she was in 4th grade. After combining the two abilities into an acoustic solo act, she played her first coffee house concert in 2009 with Van Wagner. She then began to learn more about the live performance aspect of music rather than the art of performing to the horses she tends to at a local farm. Her influences include, but are not limited to Ellie Goulding, Ingrid Michaelson, Kate McGill, Regina Spektor, and Gabrielle Aplin. 



Tickets are £5 in advance-http://www.wegottickets.com/event/262653#.UyxNe4WE_Qo

Or you can pay £7 on the door.

Ort is at 500-504 Moseley Road, Birmingham, B12 9AH.

The no. 50 Bus route connects Moseley Road to Birmingham city centre.

There is ample cycle parking opposite Ort and free car parking all around the venue.

Tuesday, 25 February 2014

Supporting Gary Nock at Best Seat Sessions

I'm delighted to be supporting Gary Nock when he is the featured guest of Best Seat Sessions at Ort on Friday the 7th of March.

Gary is the writer of beautiful songs including "Make It Better" which was used by Mars in a national TV ad and which Gary later rewrote as "Oh To Be a Villan" for his beloved Aston Villa.




Here's Gary's bio;

Gary Nock began his troubadour journey at the advanced age of 17, learning from songbooks, determined to capture whatever it is a classic songwriter has under their fingertips. Within a couple of years he was playing around the bars in Devon where he’d grown up. A while after his own material began pouring out, Nock moved back to the West Midlands – his birthplace – and started touring. His acoustic-rooted songs are steeped in his love of musicians such as James Taylor, Bob Dylan, Leonard Cohen and Tracy Chapman, amongst many others.

From these humble beginnings Gary has since shared the stage with many great contemporaries including Ed Harcourt & Newton Faulkner, as well as writing and recording with some amazing songwriters and producers, including Rich Causon (Ryan Adams), Mads Hauge (Pixie Lott) and David Saw (Ben Taylor). Gary’s music has been used on three major TV advertisements, with Mars (UK and Ireland), Arla (Pan-European) and Microsoft (Worldwide) all choosing his songs for their campaigns. In October 2011 Gary released his debut album, ‘The Life We Learned To Live’ which is available on iTunes. 

2014 sees Gary continuing to write and record music, not only for himself but for many other artists now too. Recently having worked with Gary Lightbody and Bo Bruce on a song for the new ‘Star Trek: Into Darkness’ movie, and now working closely with Polar Patrol Publishing and Kobalt, 2014 is set to be a big year for Gary, not only as a writer but as a performer and recording artist too.

Also appearing is the superb Lobelia Lawson;

American born Lobelia isn't just your typical singer-songwriter. A multi-instrumentalist who worked as a studio musician for 10+ years, she has won multiple awards for her songwriting, has been featured in Billboard Magazine, and was one of the original women of mp3.com in the early days of the Internet. 

Now living in the UK after a 7 year stint in Montreal, she hosts an acclaimed songwriter night at Tower of Song in Birmingham, a lovely little space recently short-listed by the PRS as one of the UK's best small venues. An advocate for sustainable touring, she travels the world performing at house concerts and small venues.

Tickets are £5 in advance- http://www.wegottickets.com/event/262631#.UwdABYWE_Qo

Or you can pay £7 on the door. (I recommend buying an advance ticket as the gig is likely to sell out)

Ort is at 500-504 Moseley Road, Birmingham, B12 9AH.

The no. 50 Bus route connects Moseley Road to Birmingham city centre.

There is ample cycle parking opposite Ort and free car parking all around the venue.
 

Wednesday, 19 February 2014

Tom Walker Trio with Robert Lane

On Saturday 15th of February I sat in with the Tom Walker Trio for a few songs during their gig at The Gate Inn, Sutton Coldfield.

Here's a couple of videos;

Us jamming my song "Break My Heart Blues"



Me singing "Leave My Kitten Alone" and Tom leading us through "Crossroads."


Thanks to Tom, James and Jake for having me play. Special thanks also to Ian for standing in amongst a quite lively crowd to film us!


Wednesday, 8 January 2014

Paul Liddell supported by Robert Lane at Ort Thursday 30th January





Paul Liddell supported by Robert Lane at Ort Thursday 30th January 
Tickets £8 available from http://www.wegottickets.com/event/253651
8pm
Ort is at 500-504 Moseley Road, Balsall Heath, Birmingham, B12 9AH


PAUL LIDDELL

Paul Liddell is a working musician/singer/songwriter/recording artist based by the sea in the North East of England. His current album, the excellent Milestones and Motorways is a proudly home-made and independent release.

Paul is an experienced live performer with an unstoppable work ethic, clocking up on average 20 gigs a month both solo and with his band ‘Delphians’. Live, his unique voice and unpretentious delivery combine with the use of live sampling, guitar percussion and layered vocal harmonies to provide a great platform for his wonderful songs to shine. Paul has toured in America, whipping up a storm in several little coffee houses across California. While there he performed on a TV show filmed in Time Warner studios in Hollywood, and got his song ‘Brighter Lights’ placed on a nationally distributed and TV advertised folk compilation CD.
Other live highlights include performing on the main stage at the Beverley Folk Festival, and a memorable show at the Piperine Free Festival in Milan. Other artists Paul has shared billing with include Billy Bragg, Turin Brakes, Beth Rowley, Glenn Tilbrook (Squeeze), Karine Polwart, Polly Paulusma, Calvin Harris, Nick Harper, Nerina Pallot, and Florence And The Machine.

Other notable achievements include making it through to the final 10 of Q Magazine’s Glastonbury competition, being named as the hardest working, most gigging songwriter of 2009 by the PRS, and selling over 3000 albums and EPs solely at live performances.

Paul is currently unsigned and unrepresented, building a cottage industry into something more in a purely independent, DIY fashion.

Praise for Paul’s album Milestones and Motorways:
Paul is a smooth and capable guitarist, and his low-key vocals tackle social injustice and media corruption with wry compassion. The vivid splashes of grungy electric riffage that punctuate this album add welcome force to this sharply etched portrait of life in modern Britain – Guitarist Magazine

"Milestones And Motorways" is a real troubadour album, one that throws life and experiences right back at you, ready to challenge your thought processes and move on. Politics both personal and global aren't shied away from, Liddell is not about to sell himself and his listeners short by compromising yet still contrasts his aggression with recocilliation – Fatea Magazine

An artist in the bloom of their creativity – Folking.com

Lyrically, the songs come armed with a social and political conscience (bankers, the media, Catholicism, instant gratification culture,) as well as exploring self-doubt and the human condition….. capable of sharp observations and on the lovely Footprints with its ‘walking in circles footprint wheels’ line, unbridled romanticism. – Netrhythms

www.paulliddell.com


ROBERT LANE

Robert Lane is a singer songwriter based in Birmingham.

Robert was chosen by the LG Arena to perform before concerts by Dire Straits front man Mark Knopfler, BBC Sound of 2010 winner Ellie Goulding and international superstar singer/songwriter John Mayer. In May 2013 he returned to the Forum Live to play before Eric Clapton’s main stage appearance. In August 2013 he was on of 15 songwriters selected to attend a song writing retreat/course with Kinks front man Ray Davies.

Robert has appeared at The Edinburgh Fringe Festival, Birmingham Artsfest and The Tenby Blues Festival as well as venues including Birmingham's Glee Club and Jools Holland's famous venue The Jam House. He has supported a wide range of performers including Nell Bryden, Polly Paulusma, Paul Liddell, Alice Gold, Cattle and Cane, Jazz Morley, Edwina Hayes, Dan Wilde, Jess Morgan, Steve Gibbons, Jay Leighton, Dan Whitehouse and Steve Ajao.

“(his) songs all have a fantastic melodic core…really intrigued by the melody…it’s particularly sweet” Alan Clifford BBC Radio Nottingham drivetime

"Well crafted, written and of course performed...bang on your iPod" Steve Pettitt - Contributor to Guitar-Cafe.co.uk

"Lane is another prime example of the sheer amount of talent we have residing in the Midlands at the moment, and a valuable addition to the Birmingham music scene as a whole." Luke Deakin, Counteract Magazine

"Robert Lane accomplishes what many fail to do, writing catchy songs without compromising any of his musical integrity…dynamic selection of tracks that instantly becomes a compelling listen." Darren Brookes, Media Essentials

"Rather splendid…songs about changes, very wistful quite impressionistic…slice of a moment" John Edgar, The Storyjohn Podcast

www.robertlanemusic.co.uk

Saturday, 20 July 2013

Gigs this week

I've got some gigs in really lovely places coming up.

Sunday 21st July
The Killingworth Castle 
Glympton Road
Wootton
Oxfordshire
OX20 1EJ

Monday 22nd July
Gaslight Club
Oporto Bar
33 Call Lane
Leeds
LS1 7BT



Friday 26th July
Albatross Sailing Ship
The Albatros is a sailing ship built in 1899 also known as a North Sea Klipper, she is one of the oldest sailing ships still afloat and few among her peers can stay at sea in more adverse conditions. A superb example of a time-tested design, she was expertly built of first class materials and has been well maintained. Instead of sailing the high seas the Albatros is now permanently moored alongside The Quay in Wells-next-the-Sea, Norfolk, UK and used as a bar, restaurant, music venue and B&B.

Tuesday, 26 April 2011

I must admit I was pretty terrified...

when I arrived at The White Lion in Walsall on Saturday. I'd arranged for The Robert Lane band (which is me, Matty Pinfield and Mick Jeynes) to perform at the St George's Day Party. The White Lion is a biggish pub and when I visited it a couple of weeks before and took part in the open mic session it had a fairly big crowd, well into the music so I was confident the band would have a good night.

As fate would have it a very big Stag Party had descended on the pub just before we arrived. They, naturally, were drinking a lot and making a lot of noise. At various intervals signalled by some secret and incomprehensible code word they would all lie on the floor or climb on each others backs and jump up and down.

Once we had set up one of the Stags grabbed one of the pub's microphones and mimed away to whatever was playing on the jukebox, throwing the mic stand around, really thrashing about in his rock star mode. He stood on an unsecured monitor which moved and he fell over. All part of the fun. Once he'd finished he turned to us and enigmatically cried "beat that, you c***s!" Being as I am an eternal worrier and at heart a dedicated pessimist, this worried me a little bit. I was not very secretly hoping that the party would move on before we kicked of, but it was not to be.

My original plan had been to have Matty Pinfield and Lucy Philips (the talented violinist who plays the on Very Own Way) start the night with one of their lovely acoustic guitar and violin duo sets. Faced with the most boisterous crowd this side of The Marquee Club, we decided the best thing would be to just play our heaviest blue and rock tracks and see how we got on. So we kicked off with Leave My Kitten Alone, smashed through The Who's The Seeker and kept going through everything loud in the set. We agreed later that when we started every note was played through fear, which was then replaced by elation when these Stags turned out to be lovely and big fans of what we were playing. They recognised and joined in with a lot of the covers, they listened and jumped around to the originals. Matty smashed his kit and gave himself blisters, Mick was loud and funky as hell and I windmilled and solo'd within and inch of my life. It became hysterical when I'd be playing away and open my eyes to see them all lying on the floor or Piggy backing around the pub.

The Stag leader grabbed the mic again, flashed his mates and asked us to play a Metallica Track. We settled for a bit of Led Zeppelin and him and some of the others sang the same verse a hundred and five times, and that was the end of the first set.

The one remaining sober looking Stag told me he thought we were very good and not to be offended, but they were moving on. I assured him this was not a problem. This left a much more subdued but attentive crowd for the second half of the night.

After a break I played a few solo tracks and Lucy joined us for Very Own Way and some jammy covers. Mick, Matty and I played the night out and that was that.

All in all I had a great night and was pretty proud of this little band for being able to take anything and win such an intimidating crowd over. Mick and Matty played great and I was very pleased we had worked up such an eclectic repertoire!

Sunday, 17 April 2011

Upcoming Gigs

I've just added some new gig dates to the Live Page. I'm playing solo shows at some of my favourite venues, including The Yardbird in Brum and Stratford's Cox's Yard.

There's some dates with the band in Walsall, Birmingham and Bridgnorth in the next few months too.

Sunday, 18 July 2010

The Gig (a story)

It’s been booked for a few weeks. Because it is venue you have not played at before, you make the decision to be there early. This is something of a risky stratagem because you know there is a fairly good chance that nothing will be happening when you get there, no one will be around. But on occasions such as this you figure it’s worth risking being a bit bored for half an hour, because at other times when you did get there just in the nick of time you had a bit of a telling off from the soundman/promoter/first act for cutting it fine and then had to sound check in front of the audience, or go without a warm up altogether.

So you get there at the time requested, or just before. If it turns out that the was no reason to be there early then the journey will have been painless and taken less time than you had expected. If, however, it would have been extremely fortuitous to have plenty of time free before the gig to sound check, set up the swag desk and meet the other acts, then traffic, directions and weather will have conspired to use up the time you set aside to get there and spit it back at you, taunting your planning and making you 20 or 30 or 45 minutes late. Either way the familiar feeling in the pit of your stomach appears as you round the last corner leading to the venue and you set eyes on it for the first time.

You sound check to a nice empty room, then have time to kill. If you have a lover/friend/family member with you, you get them a drink (if the bar is open) if you’re alone, this is the point where you remember you forgot to remember to put a book or newspaper in your bag. You might chat to the soundman or promoter, or one of the other acts. This can kill a nice bit of time, and you can learn a lot about the venue and the local circuit. If you’re supporting a more established artist, then you try your best to make friends and share stories with them without being a pain. You are shy, and feel not great at being upfront and inquisitive whilst not annoying, and are relived if a little disarmed to discover everyone is friendly and full of great stories.

The doors open, and the crowd makes a big show of not piling in, simply because it isn’t there. The start time is nudged back because it looks fairly certain the only people in the room so far are in fact in the wrong one, and are expecting something quite unlike the concert you are all about to give.

Waiting. If that lover/friend/family member is with you then you try your best not to look disappointed and try to find the positives in the situation. You speak some words that you yourself don’t listen to and your companion responds by pointing out the positives in the situation, which are of course the same three feeble points that you yourself are hanging on to, and that always make an appearance at this point.

You go to the toilet. Again (his is how your nerves manifest.) Looking in the mirror you can confirm that you’re sweating already, and that your hair is sitting in exactly the way it’s been asked or maybe ordered not to. On coming out of the toilet however relief is your next emotion because the room has filled up nicely.

Finally the time comes and you are performing. You do your set. Impossible to judge thanks to the lights that prevent you from reading the faces which you would normally use as sign posts on the long road towards audience appreciation. Yet again you arrive at the curious state, purely of your own making, where you are both enjoying playing and hating every note of it. You finish performing and leave the stage, trying your best to look normal as you walk through the crowd you have just played too. Still in the emotional and analytical dark as far as your performance you somewhat reluctantly man the merch desk for the short interval between you and the next act.

Euphoria. Success. CDs sold, mailing list populated, web presences recorded on ticket stubs. You hang on to kind words and try to make mental records of names and venues discussed with knowledgeable concert-goers.

Monday, 26 October 2009

October 2009, very nice,

I've had a terrific month; a nice new job and a couple of the best gigs I've done in the everment of forever.

I feel I should sit in the sun drenched up lands of relative success and allow myself to form the smallest of subtle and sweetly sticky smiles upon my lucky young face.

Am I? You may or my not be crying out loud to your computer/laptop/phone/digestive biscuit

No. I am wondering, in fact, what to do next.

A question to the wise, should I go ahead a make a massive, if polite, nuisance of my self in order hoist myself up the next rung? Or should I wait and see what i can cultivate from the seeds I've already planted?

Answers on a postcard, I'll get them for next June I should think.